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7 Tips for Writing Epic Super Villains – Tip 6

June 13, 2013 by RJ Andron

This post is the sixth in a series of 7 Tips for Writing Epic Super Villains. Check out the earlier posts below:

  • Tip 1. Forget the idea that “the villain is the hero of their own story”
  • Tip 2. Make the Villain Mysterious
  • Tip 3. The Villain has to Choose to be Evil
  • Tip 4. Make the Villain Credible
  • Tip 5. Make the Villain Scary

Tip 6. Never Make the Villain a Nemesis

As we’ve gone through this series on tips for creating epic super villains, we’ve run across a number of areas where the conventional wisdom is just wrong. This is one of those areas. Traditionally, we think of the nemesis as being the highest goal that a writer can have for a super villain. However, as we’ll see, making a character a nemesis can really limit the scope and potential of the super villain.

When we think of many of the classic super villains, the vast majority of them are nemesis of one of the classic superheroes. Consider: Batman and the Joker, Superman and Lex Luthor, Spiderman and Venom – all of these hero/villain pairs have had many battles together over the years and would be fair to say that each of those villains has dedicated his criminal career to defeating his superhero counterpart. In some cases, the villain is literally a mirror image or counterpoint to the hero.

When we look at Spiderman and Venom, we have a perfect example of hero and nemesis. Venom is an alien symbiont that Spiderman wore as a costume for a short time before realizing that Venom was actually turning Spiderman evil. Venom then found a new host and together, both of them are dedicated to destroying Spiderman. Where Spiderman wears a costume of blue and red, Venom is pitch black with a white spider symbol painted on it. Readers really enjoyed the clashes between Spiderman and Venom as these two nemeses went at it. But ask yourself this, would we be as satisfied reading a story about a clash between Venom and Iron Man?

When you make your villain a nemesis of the hero, you end up doing two things. First of all, you establish a very strong relationship between hero and villain that can make the conflict between the two very satisfying to readers. Second, and more importantly, you end up identifying the villain with the hero to the point where clashes with other heroes, or battles outside of the nemesis relationship, just don’t have the same dramatic weight that an epic villain would bring to the story.

In effect, when you make your villain a nemesis of the hero, you end up limiting the villain’s scope so that only the hero can ever effectively challenge the villain from a storytelling point of view.

Imagine what would happen if the Flash met the Joker. Now, there’s no question that the Joker is a very scary character. His homicidal mania combined with a brilliant, albeit deranged mind and his refusal to ever stop killing make him one of Batman’s toughest opponents. If there is any villain in Batman’s rogues’ gallery who deserves the title of nemesis, it’s definitely the Joker. But Flash would have the Joker stripped naked and tossed in jail in what? Two, maybe three seconds? There’s not a lot of dramatic tension in that particular story.

If anything, as you are designing your super villain, you are going to want to look at the whole range of heroes that this villain is likely to encounter in your world. And, you have to make that villain challenging enough, and scary enough, to make it look like he would win against any and all of them – hands down. If you are able to write your villain so that your mightiest superhero, combined with any other heroes in your world, would still lose in a stand up fight against him, then you are going to have readers salivating at the prospect of the conflict.

Now, there’s nothing wrong with establishing a relationship between hero and villain. But you want to avoid crossing over the line where the two of them become each other’s nemesis. At that point, your villain no longer becomes epic, and is condemned to facing off against the same hero over and over.

Let me emphasize that a nemesis is not a bad thing. There have been a lot of very successful stories written where the superhero faces his nemesis, and there is a lot of drama that can be mined out of that particular conflict. But at the same time, we are not looking at building a nemesis. We are looking at building an epic super villain. As we’ve seen above, there is a difference.

Kobra

Kobra

As an example of an epic villain, we go back to the DC Comics villain Kobra. This villain is the leader of a snake themed cult of assassins and terrorists with access to high technology. Kobra was one of a pair of identical twin brothers, and was raised by the cult to assume its leadership. When he found out about his twin brother, he set out to destroy him, seeing him as a weakness. Using a Lazarus pit that he built, he resurrected his own parents to use them to kill his twin brother. He was ultimately able to kill his brother by slaying his brother’s fiancée, resurrecting her, and then mind controlling her to stab a dagger into his brothers back. Along the way, he fought against Batman, Wonder Woman, the Flash, Superman, and the Suicide Squad. He was even able to defeat Batman in hand-to-hand combat. At no time did he ever become a nemesis of any of these characters, but he posed a significant threat to any and all of them combined. Although he hasn’t been used much in DC continuity, he is still one of the most frightening villains that the DC universe has created.

 

Super Villain Poison Ivy Cosplay. Photo by greyloch.

Super Villain Poison Ivy Cosplay. Photo by greyloch.

All trademarks and characters are the property of their respective owners. No challenge to any trademark status or ownership is made or contemplated. Any images used in this post are either Public Domain, or are used under Creative Commons licenses, or under the Terms of Fair Use under International Copyright Law which allows such use for comment and review purposes.

Tune in again tomorrow for another tip. Same bat-time, same bat-channel. In the meantime, let me know what you think of the tips and the series in the comment area below!

 

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Super Villain Catwoman Cosplay. Photo by RyC - Behind the Lens.7 Tips for Writing Epic Super Villains – Tip 7 7 Tips for Writing Epic Super Villains – Tip 5 Super Villain Harley Quinn Cosplay. Photo by Pop Culture Geek.7 Tips for Writing Epic Super Villains – Tip 2 Super Villain Mystique Cosplay. Photo by Madmarv00.7 Tips for Writing Epic Super Villains – Tip 4 Super-Villain Baroness Cosplay. Photo by Pop Culture Geek.7 Tips for Writing Epic Super Villains – Tip 1

Filed Under: Superheroes Tagged With: Comics, Nemesis, Pulp Fiction, Super Villains, Superheroes, Writing

7 Tips for Writing Epic Super Villains – Tip 5

June 12, 2013 by RJ Andron

This post is the fifth in a series of 7 Tips for Writing Epic Super Villains. Check out the earlier posts below:

Tip 1. Forget the idea that “the villain is the hero of their own story”

Tip 2. Make the Villain Mysterious

Tip 3. The Villain has to Choose to be Evil

Tip 4. Make the Villain Credible

Tip 5. Make the Villain Scary

The most epic villains are always the ones that sent a shiver down your spine. As we’ve discussed, villains have to be credible, but they also have to be able to evoke fear in the reader.

Fear is a great emotion for a reader to experience. It gives readers a vicarious thrill and the excitement of experiencing what it’s like to be in the superhero situation without leaving the comfort of their own chair. We want to make readers afraid of the super villain, and to do that, we’re going to be taking a few pages from horror stories.

You make the reader afraid by telling him what happens if the villain wins. This is establishing the stakes, and telling as vividly as possible what’s going to happen to the hero, to the people the hero cares about, and even to the world itself if the hero can’t win. And, if you’ve made the villain credible, then you’re already starting out from the point where it looks like the villain can’t lose. If the villain wins, the hero dies. If the villain wins, the city is turned into a radioactive, smoking ruin. If the villain wins, the nation starts slaughtering its own people for being different, mutants, meta-humans, nerds, and so forth.

You make the reader afraid by showing him the true evil of the villain. One of the guidelines that we’ve talked about is that the character has to be evil by their own choice. Here’s where you have the chance to show the reader just how evil that character can really be. All of our normal rules and laws don’t apply to him. He is above the law, or so powerful that our police and military can’t touch him, and end up being slaughtered if they even try. If you want to make the reader really scared, make it so that even the laws of physics don’t apply to the super villain. He can walk through walls, kill people with his mind, turn a crowd into psychically possessed zombies, or make people explode just by looking at them.

You make the reader afraid by threatening the characters that the reader roots for. As a writer, you always want to have you reader emotionally investing in the superhero and the people in the superhero’s life. One of the classic reasons for the secret identity of superheroes is to protect their loved ones. If villains were to find out the superhero’s identity, then they could simply blackmail the superhero by threatening their defenseless family or friends. If you can make the reader care about the superhero and those around him, then you can scare the reader by having the super villain threaten those people. If you want to make Spiderman do something, you threaten Aunt May. If you want to make Superman back off, you threaten Lois Lane in a way that his superpowers can’t prevent.

One last trick from horror stories that can make the reader afraid is you take away every refuge from the hero, so that there is no safe place for the hero to hide, catch their breath, or plan a counterattack. This relentless stripping away of all of the hero’s defenses and sanctuaries raises the concern the reader feels for our hero’s fate. If the hero is not given a chance to rest, neither is the reader, and you can keep on ratcheting the tension higher and higher with every move the super villain makes and that the superhero has to respond to. If you want to make readers concerned about a classic character such as The Shadow, you have to start by eliminating or subverting the Shadow’s agents and compromising or destroying the Shadow’s sanctums and hiding places. This was used to great effect by the Shadow’s arch nemesis Shiwan Khan in the DC Comics series “The Shadow Strikes.”

Make the reader scared of the super villain, and you’ve taken a giant step towards making the super villain and epic super villain.

Arnold Schwarzenegger as the Terminator

Arnold Schwarzenegger as the Terminator

A perfect example of a truly scary super villain is the Terminator. This 1984 movie, starring Arnold Schwarzenegger, has a cyborg come back from the future to kill a single woman. The terminator will not let anything, or anyone, get in the way of his mission. No matter what our heroes do, the terminator just keeps coming after them and kills anyone and everyone who gets in his way. He gets shot, burned, blown up, and yet he still keeps coming after Sarah Connor. And the really scary part is? That there are more like him in the future and they’re going to keep coming back until the mission is complete.

All trademarks and characters are the property of their respective owners. No challenge to any trademark status or ownership is made or contemplated. Any images used in this post are either Public Domain, or are used under Creative Commons licenses, or under the Terms of Fair Use under International Copyright Law which allows such use for comment and review purposes.

Super Villain Dark Phoenix Cosplay. Photo by Rob Boudon.

Super Villain Dark Phoenix Cosplay. Photo by Rob Boudon.

 

Tune in again tomorrow for another tip. Same bat-time, same bat-channel. In the meantime, let me know what you think of the tips and the series in the comment area below!

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Super Villain Mystique Cosplay. Photo by Madmarv00.7 Tips for Writing Epic Super Villains – Tip 4 Super-Villain Baroness Cosplay. Photo by Pop Culture Geek.7 Tips for Writing Epic Super Villains – Tip 1 Super Villain Emma Frost Cosplay. Photo by PatLokia.7 Tips for Writing Epic Super Villains – Tip 3 Super Villain Catwoman Cosplay. Photo by RyC - Behind the Lens.7 Tips for Writing Epic Super Villains – Tip 7 Super Villain Poison Ivy Cosplay. Photo by greyloch.7 Tips for Writing Epic Super Villains – Tip 6

Filed Under: Superheroes Tagged With: Comics, Pulp Fiction, Super Villains, Superheroes, Writing

7 Tips for Writing Epic Super Villains – Tip 4

June 11, 2013 by RJ Andron

This post is the fourth in a series of 7 Tips for Writing Epic Super Villains. Check out the earlier posts below:

Tip 1. Forget the idea that “the villain is the hero of their own story”

Tip 2. Make the Villain Mysterious

Tip 3. The Villain has to Choose to be Evil

Tip 4. Make the Villain Credible

So, what do I mean by making the villain credible? In order for readers to be able to take your story seriously, they have to be able to take your villain seriously, and so do your heroes. Your readers and your heroes have to believe the villain is a major threat to your setting and the people in it.

We have all seen a lot of cases of what I would call a joke villains. These are the super villains in name only. They are the ones that superheroes fight without much risk, and they are typically the ones that get caught through their own incompetence. Examples would include COBRA commander from the cartoons, Dr. Light, Batroc the Leaper, the random thugs that are beat up by Batman at the start of just about every Batman story, and dozens of others who barely rate the term C-list. If your villains end up spending more time in jail due to their own stupidity instead of committing crimes, then I would say that they’re not credible villains.

For a super villain to be seen as credible, his goal and means of accomplishing that goal have to be plausible within the rules that you’ve set up in your superheroes’ world. Not only that, but I would say that the super villain is assured victory even if the superheroes get involved.

Wait, what?

Look at it this way: if you write a story where the superhero has a very good chance of defeating the super villain, then you don’t have much dramatic tension. The readers know that the hero is going to win. They only stick around to find out how he wins. And, if the victory doesn’t take a lot of effort, then the readers aren’t going to be terribly satisfied.

But, if the villain has set things in motion such that the readers can see no way that the superhero wins, then you’ve got readers who are compelled to find out what happens. In the readers’ mind, you’re threatening to break one of the classic rules of morality plays: that good has to triumph over evil. That burning curiosity on the part of the readers to find out if you’re going to break that rule, or if you’ve come up with a solution where the hero wins in a way that the readers could never imagine, is going to keep them turning pages.

Make it so that the villain is guaranteed to win at the start of the story.

Make it so that the villain is able to see to the destruction of the hero, by whatever definition of destruction you want to use – physical, spiritual, legal, moral, or any other form of destruction. Your villains don’t have to kill the hero. They just have to destroy them.

Trigon the Terrible

Trigon the Terrible

Here’s an example of a credible villain: Trigon the Terrible from the New Teen Titans is the demonic father of Raven. He is evil incarnate, and he has spent years searching for his daughter to convince her to join him. Now, writer/creator Marv Wolfman was able to build up the tension over several issues in the series. By the point that Trigon enters our dimension, he literally brings Hell to Earth, complete with pits of sulfur, firebreathing demons, and the city transformed into a terrifying replica of Dante’s Inferno. Not only that, but our heroes have been possessed by Trigon’s demons and have killed Raven. For all intents and purposes, evil has won. There is no way that a reader could conceive how are superheroes could actually emerge victorious. You can bet that the time from Trigon’s victory, to the release of the next issue the following month, was the longest 30 days ever for Titans fans.

All trademarks and characters are the property of their respective owners. No challenge to any trademark status or ownership is made or contemplated. Any images used in this post are either Public Domain, or are used under Creative Commons licenses, or under the Terms of Fair Use under International Copyright Law which allows such use for comment and review purposes.

Super Villain Mystique Cosplay. Photo by Madmarv00.

Super Villain Mystique Cosplay. Photo by Madmarv00.

 

Tune in again tomorrow for another tip. Same bat-time, same bat-channel. In the meantime, let me know what you think of the tips and the series in the comment area below!

 

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Related posts:

7 Tips for Writing Epic Super Villains – Tip 5 Super Villain Catwoman Cosplay. Photo by RyC - Behind the Lens.7 Tips for Writing Epic Super Villains – Tip 7 Super Villain Poison Ivy Cosplay. Photo by greyloch.7 Tips for Writing Epic Super Villains – Tip 6 Super-Villain Baroness Cosplay. Photo by Pop Culture Geek.7 Tips for Writing Epic Super Villains – Tip 1 Super Villain Emma Frost Cosplay. Photo by PatLokia.7 Tips for Writing Epic Super Villains – Tip 3

Filed Under: Superheroes Tagged With: Comics, Pulp Fiction, Super Villains, Superheroes, Writing

7 Tips for Writing Epic Super Villains – Tip 3

June 10, 2013 by RJ Andron

This post is the third in a series of 7 Tips for Writing Epic Super Villains. Check out the earlier posts below:

Tip 1. Forget the idea that “the villain is the hero of their own story”

Tip 2. Make the Villain Mysterious

Tip 3. The Villain has to Choose to be Evil

Way back in Tip 1, I told you to forget about the idea that the villain is the hero of their own story, and to have the villain admit that he is evil because he enjoys it and because it gets him what he wants. Here is where we start delving into morality and classic Old Testament style good versus evil.

It comes down to the question of agency. Either the villain is responsible for his own actions, or he’s a victim. Since we’re trying to build epic villains here, we have to choose the first option. Look at it this way, if the villain is compelled to be evil, compelled to harm innocents, compelled to destroy, then can you really say that he’s a villain? His compulsion is what drives him. Sure, you can create a villain who is insane, even homicidally so, but at the end of the day if he’s not choosing his own actions, then he’s a victim. Think of it as building in the “not guilty by reason of insanity” factor in your villain.

As readers, we look at insanity and we can classify it, compartmentalize it, and identify it. There’s no mystery to insanity as far as the reader is concerned. It’s something that is making the villain act the way he is.

However, if the villain chooses of his own free will to do evil, then that really scares us. We are surrounded in our lives by good people. These people choose every day to do good things.

However, when we meet someone who is deliberately causing harm and misery to innocent people, we get frightened. We can’t process that. In fact, we are sorely tempted to say that the evil people in our lives are crazy, or that there’s something wrong with them. That’s what helps us understand evil.

The best villains from a storytelling perspective, are always the ones who choose a dark path, and they do so willingly.

Baron Karza.

Baron Karza.

As an example, let’s take a look at Baron Karza from the classic Marvel Micronauts comic book. Once the preeminent engineer and scientist of Homeworld, he discovered the secret to immortality and converted this to political dominance by allowing the rich and powerful to replace their old and failing organs and bodies with those of the lower classes. The middle classes continued to work and save in hopes that they might be able to afford immortality, while the lower classes sold off their own body parts, and gambled to win enough to be able to escape poverty. Baron Karza decided that this wasn’t enough. In a brutal coup, he killed off Homeworld’s rulers and and then ground Homeworld under his boot for a thousand years, also enslaving all of the various races and planets of the Microverse in the process.

Although slain by the Micronauts fairly early in the comic series, he managed to return from the dead by taking over the body of Prince Argon, one of his enemies. Even his armor was enough to corrupt the hero who made the mistake of putting it on. Baron Karza would be killed and rise from the dead over and over again throughout the series.

For our purposes, he illustrates the choice to be evil perfectly. He actually was able to obtain enough power, and enough knowledge, to be offered godhood.

He turned it down.

He wanted to remain human to continue killing and inflicting suffering on others. He is as epic, and as evil, a character as I have ever seen in comic books.

Super Villain Emma Frost Cosplay. Photo by PatLokia.

Super Villain Emma Frost Cosplay. Photo by PatLokia.

All trademarks and characters are the property of their respective owners. No challenge to any trademark status or ownership is made or contemplated. Any images used in this post are either Public Domain, or are used under Creative Commons licenses, or under the Terms of Fair Use under International Copyright Law which allows such use for comment and review purposes.

Tune in again tomorrow for another tip. Same bat-time, same bat-channel. In the meantime, let me know what you think of the tips and the series in the comment area below!

Share this:

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Related posts:

Super Villain Mystique Cosplay. Photo by Madmarv00.7 Tips for Writing Epic Super Villains – Tip 4 7 Tips for Writing Epic Super Villains – Tip 5 Super-Villain Baroness Cosplay. Photo by Pop Culture Geek.7 Tips for Writing Epic Super Villains – Tip 1 Super Villain Poison Ivy Cosplay. Photo by greyloch.7 Tips for Writing Epic Super Villains – Tip 6 Super Villain Catwoman Cosplay. Photo by RyC - Behind the Lens.7 Tips for Writing Epic Super Villains – Tip 7

Filed Under: Superheroes Tagged With: Comics, Micronauts, Pulp Fiction, Super Villains, Superheroes, Writing

7 Tips for Writing Epic Super Villains – Tip 2

June 9, 2013 by RJ Andron

Yesterday, we had started listing 7 Tips for Writing Epic Super Villains where we talked about forgetting the idea that the villain is the hero of their own story. Today, we look at the second tip in our seven-post series.

Tip 2. Make the Villain Mysterious

In short, give us a reason to want to know more about the villain. There really is no better way to compel a reader to turn pages than by giving them half the story, and making them want to find out the rest. Curiosity is a very powerful force and used properly it can transform your villain from comic book run-of-the-mill right up to epic.

The use of mystery in writing has a very long history. Even today, writers use mystery in order to keep audiences riveted in their seats as the story unfolds. Film and television producer/director JJ Abrams talks about a mystery box. He gives the example of a magic kit that he got as a present years ago. He has never opened that magic kit because the mystery and the potential it represents is more important than the knowing. We like mystery and we like letting our imagination fill in the blanks. The joy of not knowing is tantalizing to us.

Unfortunately, in a lot of superhero stories nowadays, there is no real mystery to the villain. We know the life stories of Catwoman, the Green Goblin, Lex Luthor, and just about every other super villain out there. There really isn’t any mystery left to them, except what their motive might be in their current caper.

Jack The Ripper

Jack The Ripper

Even the Joker, a character whose real identity has never been revealed, isn’t as compelling as he could be. The reason for this is simple: as readers, we know everything we need to know about the Joker. He’s nuts. This homicidal clown only keeps our interest because we want to find out what he’s going to do next, and even then we’re pretty sure it involves murder and mayhem. In fact, knowing his true identity, or even his reason for wearing the Red Hood before he became the Joker really doesn’t matter to us as readers.

Compare this with an example from real life: Jack the Ripper. This serial killer was never identified, never caught, and was never punished for his crimes. He is a walking, killing mystery. He has been used as a character or reference in literally hundreds of different stories ever since he stopped killing in 1888. We don’t know why he killed, and we don’t always know how he killed. The only thing we do know is that he terrified London in 1888, and he has been demanding our curiosity ever since.

For Jack the Ripper, his mystery matters to us. It goes right to the heart of our curiosity. For the Joker? Not so much.

Now, let’s take this a step further. We can’t keep the mystery going forever because eventually the readers’ curiosity will wane and readers might become interested in something else. At that point, your super villain ceases to be epic, and becomes relegated to the comic book equivalent of one hit wonders. So, to keep your character epic, you need to introduce one, two, or more new mysteries for each one that you solve. This way, you keep the readers’ curiosity engaged and you compel them to want to know more and more about your villain.

 

Super Villain Harley Quinn Cosplay. Photo by Pop Culture Geek.

Super Villain Harley Quinn Cosplay. Photo by Pop Culture Geek.

 

All trademarks and characters are the property of their respective owners. No challenge to any trademark status or ownership is made or contemplated. Any images used in this post are either Public Domain, or are used under Creative Commons licenses, or under the Terms of Fair Use under International Copyright Law which allows such use for comment and review purposes.

Tune in again tomorrow for another tip. Same bat-time, same bat-channel. In the meantime, let me know what you think of the tips and the series in the comment area below!

Share this:

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Related posts:

Super Villain Mystique Cosplay. Photo by Madmarv00.7 Tips for Writing Epic Super Villains – Tip 4 Super Villain Emma Frost Cosplay. Photo by PatLokia.7 Tips for Writing Epic Super Villains – Tip 3 Super Villain Poison Ivy Cosplay. Photo by greyloch.7 Tips for Writing Epic Super Villains – Tip 6 Super-Villain Baroness Cosplay. Photo by Pop Culture Geek.7 Tips for Writing Epic Super Villains – Tip 1 Super Villain Catwoman Cosplay. Photo by RyC - Behind the Lens.7 Tips for Writing Epic Super Villains – Tip 7

Filed Under: Superheroes Tagged With: Comics, JJ Abrams, mystery, Pulp Fiction, Super Villains, Superheroes, Writing

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